Software

The Freenet storage system is used as a basis for the software architecture. Additionally, two plugins – the Visualization and Automaton plugins – were developed in order to give the viewer the possibility of a self-organized environment within a virtual environment. These two plugins are separated by their functionality and, in concert with the Freenet, build a non-uniform network system. The plugins, as is the Freenet itself, are developed in a Java virtual environment and are installable via the Freenet user interface. Although not a necessity, it is supposed that the Freenet storage system is configured to run in a Darknet Freenet mode. Continue reading “Software”

0.30402944246776265 @ Malonioji 6

20th September 2014, 6 pm, LTMKS Project space “Malonioji 6”, Malonioji str. 6, Vilnius

We are pleased to invite you to the exhibition of media artist Mindaugas Gapševičius, who is showing his most recent installation, entitled 0.30402944246776265. In his installation, Gapševičius investigates artificial intelligence and brings a number of computers into the space for the consideration of artificial networks in terms of social and neural networks.

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0.30402944246776265 @ OKK Berlin

August 22nd, 2014
20:00 @ OKK/Raum29 Gallery, Prinzenallee 29, 13359 Berlin

We are pleased to invite you to the exhibition of media artist Mindaugas Gapševičius, who is showing his most recent installation, entitled 0.30402944246776265. In his installation, Gapševičius investigates artificial intelligence and brings a number of computers into the space for the consideration of artificial networks in terms of social and neural networks. The installation assembles an imaginative artificial neural network wherein computers act as neurons and network cables represent axones connecting neurons. The title number indicates the location of a computer in the proposed framework.

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In the Graveyards of Interdisciplinarity (?)

17th to 31st of October 2013
Curators of the project: Danutė Gambickaitė, Gintarė Matulaitytė

When interdisciplinarity comes across as a given, there seems to be little need for new definitions. Many an artist of the young generation have long since ceased using the word “interdisciplinarity” when discussing their own work. They make no attempt to revisit the concept or reinvigorate it in any other way. Still, the concept does come up in contemporary art, albeit in a somewhat odd manner. One often encounters a peculiar concept of interdisciplinarity – or a conceptual bubble – which is self-contained and can serve as a safe format.

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